Earth Terminal Studios's Page

We specialise in Recording and Producing Bands.

Live room 1 (The Kiln Room) works extremely well for live drums. Its signature can be heard on numerous recordings over the last 15 years, on comercial releases and within drum loop libraries that you may already own, especially if you already run a certain popular software machine.
Live Room 2 (The Piano Room) is equipped with a lovely, bright Bechstein upright piano. The stone floor works very well in this room as an alternative to the soft flooring throughout the rest of the studios. Perfect for tighter sounds and enjoying Blood Red Walls.
Live Room 3 (The Upstairs Room) has a high, pointed ceiling and offers a very different sonic to other rooms in the studio. This is often the room where guitar amps sit cranked while a band tracks together in Live Room 1 & it's also an ideal space for acoustic stringed instruments and sounds requiring a controlled but still lively room acoustic.
The Vocal Booth / Dead Room sits adjacent to Live room 3. Carefully positioned glass doors provide natural light and a view to the outside world (fields, cows, deer, clouds, stars etc..) while retaining a very close sounding acoustic, perfect for main vocals and close mic-ed instruments.
All recording rooms are equipped with VDC oxygen-free tie-lines and headphone feeds.

Earth Terminal is highly atmospheric and provides an outstanding recording and production environment.

Click the image below to view our technical spec..

A bit of history -

Earth Terminal Studios is the result of the combination of two music recording studios - Earth Terminal Music Company, & Blah Street Studios. The former studio was built by Luke Baldry (now at Audient UK) upon proceeds arising from the Jimi Hendrix remix project - 'The Beautiful People' - and following the success of the album 'If 60's Were 90's'. Blah St. (originally based at the Hop Kiln) was the brainchild of Nick Hannon (brother of 'The Sundays' drummer Patch Hannon). It was Nick who originally persuaded a local farmer to help convert the Hop Kiln into a commercial studio, having had his eye on the building for several years and posessing a talent for making great sounding spaces. Much of the interior and vibe of the studio is owed to Nick so when Earth Terminal Music Company and Blah St. both closed their doors around 2001, Lewis Childs, in-house engineer at the time of the original Earth Terminal's demise took over the company and moved to the former Blah St. premises in the Hop Kiln, re-naming it 'Earth Terminal Studios', the perfect combination was born.
The studio now stands at the forefront of the UK music scene, offering both state of the art digital technology and traditional analogue formats within the ultimate atmospheric, vibey & creative environment.